PR News
Matt Thomas

The debt we owe to the next generation

In 2022, when we returned to the office after Melbourne's two years of lockdown, it was the silence that surprised me most. Not because the people weren't there, but because the juniors we'd hired and the ones we promoted during the pandemic were listening intently, absorbing everything around them.

As artificial intelligence reshapes the way our industry works, what I hear from colleagues and witness in my own agency is that our offices are falling silent again. Only this time it is not because the juniors aren't listening. It is because fewer of them are making it through the front door.

This is not an accident. It is a rational response to the changed economics of expertise.

A rational choice with a hidden cost

When I founded Stake 18 months ago, I made a deliberate structural choice: hire seniors and leverage AI as much as we reasonably can. Clients pay for judgment, and judgment is what senior practitioners carry. In a world where AI can produce a competent first draft in seconds, the most defensible thing a firm like ours can offer is the capacity to know what to do when the situation has no precedent and the stakes are real.

It was a sound business decision. It was also, I have come to realise, a decision that removes me from the pipeline from which I have benefited for 25 years.

Across my career, I have absorbed tacit knowledge from senior people who never had to teach it explicitly, because proximity did the work. I sat near people making hard calls. I watched them manage a crisis with no playbook, read a room wrong and recover, and hold a line under pressure when the easier path was to fold. Whatever the work was that put me in those rooms, it was never really the point. The rooms were the point. And I was allowed to be in them.

And here is what troubles me about that. The market is now actively rewarding firms for making exactly this choice. Not through malice, but through logic.

AI reduces the economic case for hiring at the base. A senior led, AI supported model is not just a positioning line, it is where the incentives point. Which means the mechanisms through which future expertise develops are being quietly dismantled, not by careless firms, but by careful ones.

The question nobody has answered

Last year, I had the opportunity to ask a chief technology officer of one of the world's most valuable technology companies how they were approaching this challenge as an employer. How do you develop judgment in people who may never have to spend a day doing the grinding work that judgment used to be built through? They didn't have an answer.

If the organisations building this technology haven't solved it, the communications industry's failure to reckon with it looks less like negligence and more like a shared blind spot. AI removes the need for the ticket. But the room still exists, and judgment still needs to transfer somehow.

 

The lost habit of learning by being there

The traditional apprenticeship in our profession was never formally designed. It worked because volume created proximity, and proximity created osmosis. Junior practitioners wrote the releases nobody used, compiled the media lists, and sat in on the client calls they weren't expected to contribute to.

In doing so, they absorbed, slowly and imperfectly, the thing that no brief can teach: how a senior mind moves through an ambiguous situation and arrives at a defensible position.

That system is now quietly breaking down, and nobody is building a replacement. The apprenticeship pipeline is not collapsing because anyone decided it should. It is collapsing because increasingly it doesn't make sense to pay for it anymore. And for the time being, the people who will feel that most acutely are not the firms making the rational choice. They are the future practitioners who never get to be in the room.

Making judgement visible

So, what do we owe the generation ahead of us?

Two things, I think. The first is deliberate proximity. Senior practitioners need to stop assuming osmosis will do the work and start narrating their judgement out loud. Invite the junior into the client call not to contribute but to watch. Debrief out loud after the hard conversation. Say the thing you would previously have just done.

The second is counterintuitive: use AI as the mechanism, not the replacement. Let AI generate the options. Require the junior to choose and defend and then interrogate that defence. The judgment transfer happens in the interrogation, which is closer to how good legal and medical training works than anything our industry has ever formally done. AI, used with intention, can become the forcing function for the kind of explicit, reasoned, defensible thinking we were always trying to develop but never had a reliable way to teach.

For two years our profession has been consumed by anxiety about what AI means for our own careers. That is a reasonable response to an unreasonable rate of change. The harder question, and the one we have been slower to ask, is what it means for the people coming after us.

While the future remains unclear, we can at least be deliberate about handing on what we were given.

Matthew (Matt) Thomas is Founder and Chief Catalyst at Stake The Reputation Company, a Melbourne-based consultancy working across brand, reputation, communications, and public affairs. He has advised some of Australia’s largest private companies and has worked extensively with global organisations localising their storytelling and narratives for Australian audiences. His experience spans consumer, government, health, infrastructure, technology, and corporate reputation, including advisory work at all levels of government in Australia.

Matt’s work sits at the intersection of communications, behaviour change, and institutional strategy. He is also a contributor to the The Oxford Handbook of Social Purpose, writing on reputation, legitimacy, and the growing gap between organisational messaging and operational reality.

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Narrative isn't dead, it's moving with the times

Digital culture hasn't killed narrative: our need for stories that make sense of the world endures. Timeless techniques still create opportunities - including in financial communications - and the greater power that technology gives us also creates greater responsibility.


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So I was intrigued when a colleague mentioned in the office that she had read a book called The Crisis of Narration by the Korean-German philosopher, Byung-Chul Han, and I decided to read it. Han argues that what he calls "Phono Sapiens" has lost the ability to create narratives that connect people and give meaning to the world.

It's hard to disagree with the notion that rich narratives have declined in our screen-addicted society. Many of us prefer curating our image on social media to telling, or listening to, a real narrative. I'm sure fewer of us have the attention span to listen to a long tale than in the days of ancient Greece, for example, when teams of performers would recite the whole of the Iliad and the Odyssey from memory. Some academics think that the Iliad alone would have been performed over three nights in sessions of four to six hours each.


Homo Fabularum

That doesn't mean narrative is dead, though, or that good narratives have lost their power. Whether we like it or not, we still need their structure to make sense of reality. Or, as Han puts it, "turning being-in-the-world to being-at-home-in-the-world." While we may be addicted to being Phono Sapiens, I think that we're frustrated Homo Fabularum, or story people. Real, deep, and fulfilling stories are what we're looking for - but rarely find - when we're scrolling.

Han thinks that real narratives are quite distinct from mere storytelling, which he sees as a tawdry, superficial, and commercialised activity.

"Through storytelling, capitalism appropriates the narrative and submits it to consumption. Storytelling produces narratives in a consumable form. It charges products with emotion. It promises unique experiences. We buy, sell, and consume narratives and emotions. Stories sell. Storytelling is storyselling."

I think Han is dead right in one way here, but is also ignoring one colossally important fact that makes his distinction between narratives and stories meaningless.

He's right that stories sell. They always have and they always will. Our minds are designed to hold on to stories and use them as an interpretive key to more complex realities. Philosophy and psychology may seem distant from everyday financial communications, but they are not. Storytelling is in fact essential to commercial influence. Let me give you some simple examples.

I listened recently to Rwandan officials talking to prospective investors about the new Formula One circuit they are building near Kigali for the African Grand Prix. There's a planned luxury hotel that will look out over the track. You'll be able to look out over it from the hotel's infinity pool. Because of the area's landscape - rolling hills around a lake - you will have the impression while sipping your cocktail in the pool that the Formula One cars are heading straight at you, before they dip down and turn away. It's a lovely, simple story that I'd bet has been repeated by many people who heard it. That story will surely help to attract investment to the project.

A friend who attended a presentation that a world-famous asset management CEO gave to a group of private investors told me how this individual reacted when one investor asked why he'd never heard of the company and what they really did. The CEO replied with something like: "All you really need to know about us is this. From the moment you wake up, you're using assets that we own. The electricity from your kettle comes from power stations we own. We own the cellphone network you use to make calls. We own the railway you use to go to work. If you invest in our fund, you can own them too."

Even well-chosen metaphors are simple stories that stay with audiences as cognitive keys. Another asset management CEO I know introduces her firm - which owns a number of different brands - as the Louis Vuitton of asset management. It always gets a laugh and it's immediately memorable.

Changing conditions

What Han misses, though, is just how much the world has changed since communities were held together by narratives told by firesides and charged with mysteries, gods, and otherness. There were no brands or multinational corporations in Homer's day (or were there, if you consider the polities, rulers, and pantheons of the time? Answers on a postcard, please). Very few people could read. The technology available for publishing narratives was therefore simple: communication was in person and oral.

Yet these conditions were changing centuries before smartphones arrived, thanks to the movable printing press (around 1440) and its successor technologies: newspapers (1605, depending on what you call a newspaper), radio broadcasts (1906), TV broadcasts (1926), and the Internet (the first website went live in 1990).

Economic structures were transformed by joint-stock companies (since 1553), publicly-traded companies (1602), banks (early 1400s), central banks (late 1600s), and limited liability companies (early 1800s) among many other developments. Printed advertising itself may be a thousand years old: a copper printing plate advertising a Liu's needle shop in Jinan, including a rabbit logo and slogan, dates back to China's Northern Song dynasty (960-1276).

What this meant, first in Europe and then over centuries in the world beyond, was that business became bigger and often more international, brands became more prevalent, and societies became more urbanised.

In 2026, many of us will see dozens, if not hundreds, of advertisements a day. And while research on this is patchy and dated, it's possible that over half of the editorial media coverage we consume has been influenced by public relations professionals. I'd be surprised if it wasn't more in business and finance news.

So Han may be right about the decline of classical narrative, but the fact is that the conditions that supported the kind of communication he valorises have been disappearing for centuries. For better or worse, we storysellers have replaced the bards. We intermediate a big part of what counts as narrative in today's world. So what does that mean for us?

 

Story lessons

First, we shouldn't forget what we can learn from the great traditions of narrative. How did bards manage to hold people's attention night after night for six hours at a time? Strong characters, whether relatable or extraordinary. Dramatic tension. Memorable tropes. Surprises. All these techniques are available to us today.

This is why we do executive profiling and encourage CEOs to develop their presence on LinkedIn. It's why we might juxtapose a bold strategy or idea with the consensus view. It's why we reassure audiences with familiar wording (growth opportunities in Asia, anyone?). It's why we love stories about 150-year-old banks launching products based on cutting-edge technology. The scene changes and the centuries roll past, but a lot about narrative remains the same. That's hardly surprising: channels and formats may change, but our neurological make-up and essential psychology don't.

Second, we shouldn't lose sight of the power that comes from creating an image in the mind's eye. Stories that can do this stay with people, like the racetrack and the cars heading straight into the infinity pool, or being the Louis Vuitton of asset management.

Finally, companies with long histories also have a particular advantage in fulfilling the traditional purpose of narrative, which is to give people a hold on the world. When any organisation has been around for centuries, its particular story maps onto a recognisable arc of history more generally. It can be a constant over generations, part of a shared patrimony. And longevity itself can acquire an aura: if a company has been in business for so long, there must be a reason for it. Long histories can have drawbacks too, but on balance they are invaluable reputational assets.

Power and responsibility

We should recognise that intermediating reality to audiences is a serious responsibility. Communicators' duty to act responsibly has only increased along with our relative power. Narratives used to take years to spread, constrained by the tyranny of dangerous seas, bad roads, and illiteracy. Abundant data and the analytical power of artificial intelligence (AI) mean that we can now be more targeted, more relevant, and more influential than ever before, while achieving impact in seconds.

If we're honest, communicators have not been very consistent in acting with integrity throughout history. Too many have succumbed to the temptation to use the power that comes with creating narrative to mislead and manipulate others. Today's data- and AI-enabled communicators need to do better, for all our sakes.

I'm confident that the author of The Crisis of Narration would dismiss the idea of responsible storyselling in financial communications as an impossibility. Han gives the impression that we humans are powerless to resist the way that digitalisation is reducing us and robbing us of meaning. I think he's seriously underestimating people's ability to create narrative and the extent to which we continue to seek out real narrative in spite of digitalisation. And I think he's underestimating the immutability of narrative power, and its ability to transcend new channels and formats.

Smartphones and social media aren't likely to be the final word in the way we communicate in the financial context or any other. New forms and mechanisms will emerge - and I see no reason why narrative won't adapt to these too.

Narrative isn't in crisis; it's just moving with the times. That's in its nature because narrative is deep in ours. Financial communicators need to grasp this, make intentional use of techniques developed over millennia and sell stories responsibly.

Key takeaways

  • Narrative is adapting, not disappearing. Channels and habits change, but people still seek stories that connect them and help them make sense of the world.

  • Traditional storytelling techniques still work. Strong characters, dramatic tension, familiar tropes, and surprises remain valuable tools for corporate communicators.

  • Make complex ideas memorable. Vivid mental images and simple, relatable examples help audiences understand, retain, and share a story.

  • Put organisational history to work. A long history can connect a company to a shared past, offering continuity and strengthening its reputation.

  • Greater influence demands greater responsibility. Data and artificial intelligence increase the speed and precision of communication, making integrity and the avoidance of manipulation more important than ever.

Adam Harper founded Ashbury in January 2020. He was previously Head of Communications for Greater China at HSBC, where he was also Regional Head of Communications for Global Banking and Markets, Asia-Pacific.

Before joining HSBC, Adam was a Vice President in Credit Suisse's Asia-Pacific Corporate Communications team and Asia Editor at EuroWeek. He has worked in Asia since 2004 and is a graduate of the University of Cambridge.

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